|
Quicknation Carson McCullers
|
|
Carson McCullers (February 19, 1917 – September 29, 1967) was an American writer. She wrote fiction that explores the spiritual isolation of misfits and outcasts of the South.dl"I live with the people I create and it has always made my essential loneliness less keen." – Carson McCullers in Columbus, Georgia of middle class parentage. Her mother was the granddaughter of a plantation owner and Confederate War hero. Her father, similar to Wilbur Kelly in , was a well-to-do watchmaker and jeweler of French Hugenot extraction. From the age of five she took piano lessons, and at the age of 15 she received a typewriter from her father. Two years later she was sent to the Juilliard School of Music in New York City to study the piano, but never attended the school, having lost the money set aside for her tuition. McCullers worked in menial jobs and studied creative writing at night classes at Columbia University and Washington Square College. She decided instead to become a writer and published in 1936 an autobiographical piece, 'Wunderkind', in Story magazine. It depicted a musical prodigy's failure and adolescent insecurity.
In 1935 she moved to North Carolina, and in 1937 she married a soldier and struggling writer, Reeves McCullers. There she wrote her first novel , in the Southern Gothic tradition. The title, suggested by McCuller’s editor, was taken from Fiona MacLeod's poem 'The Lonely Hunter'. The novel itself was interpreted as an anti-fascist book. Altogether she published only eight books. was directed by John Huston (1967), starring Marlon Brando and Elizabeth Taylor. Some of the film was shot in New York City and on Long Island, where Huston was permitted to use an abandoned Army installation. Many of the interiors and some of the exteriors were done in Italy. "I first met Carson McCullers during the war when I was visiting Paulette Goddard and Burgess Meredith in upstate New York," said Huston in (1980). "Carson lived nearby, and one day when Buzz and I were out for a walk she hailed us from her doorway. She was then in her early twenties, and had already suffered the first of series of strokes. I remember her as a fragile thing with great shining eyes, and a tremor in her hand as she placed it in mine. It wasn't palsy, rather a quiver of animal timidity. But there was nothing timid or frail about the manner in which Carson McCullers faced life. And as her afflictions multiplied, she only grew stronger." McCullers's marriage turned out to be unsuccessful. They both had homosexual relationships and separated in 1940 (divorced 1941). After she separated from Reeves, she moved to New York to live with George Davis, the editor of . In Brooklyn, McCullers became a member of the art commune February House. Among their friends were W. H. Auden, Benjamin Britten, and Paul and Jane Bowles. After World War II McCullers lived mostly in Paris. Her close friends during these years included Truman Capote and Tennessee Williams. In 1945 McCullers remarried with Reeves. Three years later she attempted suicide under depression. In 1953, Reeves tried to convince Carson to commit suicide with him, but she fled. After Carson left him Reeves killed himself in their Paris hotel with an overdose of sleeping pills. McCullers's bitter-sweet play (1946) described the feelings of a young girl at her brother's wedding. The Broadway production of the novel had a successful run in 1950-51. Carson McCullers suffered throughout her life from several illnesses - she had contracted rheumatic fever at the age of fifteen and suffered from strokes since her youth. By the age of 31 her left side was entirely paralyzed. She died in Nyack, New York on September 29, 1967, after a stroke and a resultant brain hemorrhage. "Miss McCullers and perhaps Mr Faulkner are the only writers since the death of D. H. Lawrence with an original poetic sensibility. I prefer Miss McCullers to Mr Faulkner because she writes more clearly; I prefer her to D. H. Lawrence because she has no message." – Graham Greene Although McCullers's oeuvre is often described as "Southern Gothic," she produced her famous works after leaving the South. Her eccentric characters suffer from loneliness that is interpreted with deep empathy. In a discussion with the Irish critic and writer Terence De Vere White she confessed: "Writing, for me, is a search for God." This search was not acknowledged by all of her colleagues – Arthur Miller dismissed her, but Gore Vidal praised her work as |
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer) Donate to Wikimedia