Comprehensive information and links about Kitty Wells

Kitty Wells on August 30, 1919Kitty Wells is an American country musician from Nashville, Tennessee, known from about 1955 as the .

Wells debuted on WSIX, a Nashville-area radio station. There, she met and married Johnnie Wright. With Wright and his sister, Louise Wright, Wells toured as from a folk ballad called "I'm A-Goin' to Marry Kitty Wells". When Anglin returned, he and Wright formed the duo Johnny Jack with Wells occasionally performing back-up vocals. By 1947, the duo was appearing regularly at the Grand Ole Opry, mostly performing with Wells (who did appear with the pair for the Louisiana Hayride).

Wells began recording gospel with RCA (with Johnnie Jack on instrumental accompaniment), then switched to Decca for her first hit, 1952's "It Wasn't God Who Made Honky Tonk Angels", which was a response to "The Wild Side of Life" by Hank Thompson. The song was controversial for its feminist stance, then unheard of in country music, paving the way for future strong female country singers like Tammy Wynette, Patsy Cline, Skeeter Davis, and Loretta Lynn.

Wells then released a series of major hits, including "Paying for That Back Street Affair" (1953, answer song to Webb Pierce's "Back Street Affair"). During the remainder of the 50s, she had 23 hits which charted in the top ten. Her career began declining in the 1960s, though she continued recording and performing into the 1990s.

In 1974, Wells was inducted into the Country Music Hall of Fame. In 1991, she received a Grammy Lifetime Achievement Award.

In 1997, she recorded a Medley of "The Wild Side of Life" and "It Wasn't God Who Made Honky Tonk Angels" along with Hank Thompson and Tanya Tucker.

The Queen of Country Music

Wells became the first woman in 1952 to have a number one country record with "It Wasn't God Who Made Honky Tonk Angels". The record release launched Wells into being one of the most popular singers in the country music field and for the next thirteen years virtually all of Wells' recordings were top ten hits. Wells' success opened the door for other female vocalists in the 1950's, notably Jean Shepard, Goldie Hill, and Rose Maddox, but no other woman came near her success; it was not until the early 1960's when Patsy Cline and Skeeter Davis emerged on the scene that other female vocalists began to hit the top ten charts with frequency. By the time Wells scored her final major hit, 1968's "My Big Truck Driving Man", there were more than a dozen women who could be considered top-level country stars, Shepard, Davis, Loretta Lynn, Connie Smith, Dottie West, Norma Jean (singer), Jan Howard, Jeannie Seely, and the fast-climbing newcomers Tammy Wynette, Dolly Parton, Lynn Anderson, and Jeannie C. Riley. In the years since Wells' major record success ended certain journalists, fans, and publicists have attempted at times to snatch the moniker "Queen of Country Music" away and bestow it on a more contemporary female vocalist but they are usually stopped point blank by the women they are trying to honor, these female artists fully aware no one else could possibly deserve the title as much as Wells.