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Quicknation Some Like It Hot
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Some Like It Hot is a 1959 comedy film cowritten and directed by Billy Wilder. It stars Marilyn Monroe, Tony Curtis, Jack Lemmon, George Raft, Pat O'Brien, Joe E. Brown and Nehemiah Persoff. The movie was adapted by Billy Wilder and I.A.L. Diamond from the story by Robert Thoeren and Michael Logan. Logan had already written the story (but without the gangsters) for a German movie, tells the story of two struggling musicians, Joe and Jerry (Curtis and Lemmon), who are on the run from the Mafia after witnessing the St. Valentine's Day Massacre of 1929. The gangster in charge is Spats Columbo (George Raft), who orders the execution of Jerry and Joe. Jerry and Joe escape in the confusion and decide to hide from the gangsters by disguising themselves as women (Josephine and Daphne). They join an all-girl band headed to Florida. Joe and Jerry fall for a ukulele player and band vocalist named Sugar (Monroe), and fight for her affection while maintaining their disguises. In Florida, an aging millionaire Osgood (Joe E. Brown) falls for Daphne (Jerry), while Joe dresses up as a Cary Grant-imitating millionaire to woo Sugar. The mob eventually finds Joe Jerry again, when they arrive at the same hotel for a conference honoring "Friends of Italian Opera". After several humorous chases (and witnessing yet another mob rub out), Jerry, Joe, Sugar and Osgood escape to the millionaire's yacht.
Trivia On the set, Wilder grew exasperated by Monroe's inability to remember her lines. He had several of them written in inconspicuous spots on the set, so she could read them. In particular, it is possible to see Monroe's eyes move back and forth during the scene where she talks to Curtis' character on the phone in her hotel room - she was reading from a chalkboard held behind the camera. It has been reported that Monroe was pregnant during the filming of this movie. Tony Curtis was famously quoted as saying that kissing Marilyn Monroe during the love scene in this movie was like "kissing Hitler," but he later denied saying it. Jack Lemmon considered a scene from this film to be the best of his screen career. Tony Curtis enters the hotel room to find Lemmon lying on a bed clothed in an evening dress, singing and shaking a pair of maracas. Lemmon announces he's engaged to Joe E. Brown. After blithely answering a string of objections - morphs into a comparison of the French Riviera and Niagara Falls - Lemmon admits that he plans to annul the marriage and collect alimony as hush money. Wilder paid tribute to three great gangster movies of the 1930s with subtle gags in the movie's , while Spats Columbo threatens to smash a grapefruit in the face of one of his henchmen (James Cagney's famous scene from ). He then grabs a coin from the air as it is being flipped by another gangster, a cliche that originated with Howard Hawks' . The film was originally planned to be filmed in full colour, but after several screen tests it had to be changed to black-and-white. The reason for this was a very obvious 'green tint' around the heavy make-up of Tony Curtis and Jack Lemmon when in role as Josephine and Daphne. Scenes were filmed at the Hotel del Coronado, Coronado, CA. , opened on Broadway, starring Elaine Joyce, Robert Morse, Tony Roberts and Cyril Ritchard, with book by Peter Stone, lyrics by Bob Merrill, and music by Jule Styne. In 2002, Tony Curtis performed in a stage production of the film, portraying the character originally played by Joe E. Brown.Awards The film won an Academy Award for Best Costume Design, Black-and-White (Orry-Kelly) and was nominated for Best Actor in a Leading Role (Jack Lemmon), Best Art Direction-Set Decoration, Black-and-White, Best Cinematography, Black-and-White, Best Director and Best Writing, Screenplay Based on Material from Another Medium. It won the Golden Globe for Best Comedy. Marilyn Monroe won the Golden Globe for Best Actress in Musical or Comedy, and Jack Lemmon for Best Actor in Musical or Comedy. The movie has been acclaimed worldwide as one of the greatest movie comedies ever made (ranking #1 on the American Film Institute's list of the greatest comedies as well as #14 on their list of the 100 best American films). The film has also been deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry. In 2000, readers of |
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