Comprehensive information and links about This Is Spinal Tap

This Is Spinal Tap is a 1984 mockumentary directed by Rob Reiner and starring members of the semi-fictional heavy-metal glam rock band Spinal Tap. The film is a mock rockumentary that satirized the wild personal behaviour and musical pretensions of bands such as Led Zeppelin, The Who, Queen, Kiss, Black Sabbath, Judas Priest, and The Beatles among many others.

Much of the film was ad libbed, and several dozen hours of footage were shot before Reiner edited it down to the released film. A 4½ hour bootleg version of the film exists and has been traded among fans and collectors for years.

In addition to the three members of Spinal Tap plus Reiner, who appeared as "Marty DiBergi", the maker of the documentary, the film starred Paul Shaffer, Fred Willard, Fran Drescher, Bruno Kirby, Howard Hesseman, Ed Begley Jr., and Anjelica Huston. Dana Carvey and Billy Crystal also had small roles in the film.

table chronicles the group's waning popularity during a tour of the United States while promoting their latest record, . The sexist, misogynist and overly-masculized elements of heavy metal music are parodied throughout. Marty DiBergi (Reiner), a director of television commercials, films the tour and interviews the musicians.

David St. Hubbins and Nigel Tufnel were childhood friends, and ran through many bandnames at the beginning of their career before settling on The Thamesmen, who had a hit with "Gimme Some Money". Renaming themselves Spinal Tap, they had an early hit with the flower power anthem "Listen to the Flower People" before turning to heavy metal. (This would seem to be an allusion to Status Quo who had started out as a psychedelic band before turning to the more traditional rock and roll sound that made them famous). The original name of the band was "The Originals" which they had to change to "The New Originals" because there was already another band going by the name "The Originals."

The film notes early on that Spinal Tap — "One of England's Loudest Bands" — have had a succession of drummers, all of whom have died under odd circumstances: one died in a "bizarre gardening accident"; another "choked on vomit," though it may not have been his own (Tufnel notes that "you can't really dust for vomit"); and one seems to have fallen prey to spontaneous human combustion. St. Hubbins reports that "Dozens of people spontaneously combust each year. It's just not really widely reported." This run on drummers was a nod towards several bands; both Led Zeppelin's John Bonham and The Who's Keith Moon had died years before, the former having actually choked on his own vomit, whilst Judas Priest were, for a variety of reasons, on their seventh drummer at the time of the film's release. The Grateful Dead had a similar run in relation to their keyboard players dying and being replaced.

Their concert appearances are repeatedly cancelled due to low ticket sales, and tensions rise when several major retailers refuse to sell due to its sexist cover art, and when St. Hubbins' girlfriend — a slightly spacy yoga and astrology devotee — joins the group on tour.

, some versions of which were genuinely all-black, but embossed; and seven years before Metallica's eponymous 1991 album, which featured a -all black cover). This prompts more distress from the band; St. Hubbins delivers the memorable observation, "There's a fine line between clever and stupid."

A memorable segment of the film occurs when a miniature replica of Stonehenge is lowered onto the stage behind the band and two dwarves come on stage to dance around it. The band members were expecting a full sized 18-foot replica, but were instead presented with an 18-inch model, made exactly as indicated on the original plan that Tufnel had sketched hurriedly (with two tick marks after the "18" instead of one) and handed to the band's manager. St Hubbins laments during the gig debrief, "I think that the problem may have been... that there was a Stonehenge monument on the stage that was in danger of being crushed... by a dwarf." This was a play on Black Sabbath's tour for 1983's Born Again album, which featured massive Stonehenge sets that barely fit on the stages the band played.

After the Stonehenge debacle, Spinal Tap's manager Ian Faith (played by humor writer Tony Hendra) quits in disgust when St. Hubbins suggests his girlfriend co-manage the group. She takes over his duties, and begins plotting astrology charts for the entire group, even basing their concert appearances on the stars' alignments. Her character is drawn chiefly on the public image of Yoko Ono, Linda McCartney, and Nancy Spungen as inexperienced interlopers in their lovers' music careers.

When the group performs at an Air Force base (managed by Fred Willard, who calls the group "Spinal Tarp"), Tufnel's wireless guitar-amplification system receives interference from an air traffic control broadcast, and he walks offstage. After Tufnel leaves the group, DiBergi asks St. Hubbins how he feels about his longtime-collaborator's departure and St. Hubbins replies, "Well, I'm sure I'd feel much worse if I weren't under such heavy sedation."

Spinal Tap regroup, and attempt to rearrange some of their songs to account for the absent guitar, which leaves them with about 20 minutes of material. Against St. Hubbins' initial reluctance, the group launches "The new birth of Spinal Tap mark two" with Smalls' fusion-esque "Jazz Odyssey," which is roundly rejected by their already-diminishing fan base. (This would seem to be based on the career of Jeff Beck who turned from hard rock to jazz funk later on in his career. The Tufnel character would also appear to be based, at least partly, on Beck). Adding insult to injury, their only performance of the Jazz Odyssey takes place at a kiddy amusement park where they are the opening act for a puppet show. The fact that the group is mostly concerned with not being the headline act speaks volumes about their grossly naive and misguided hubris and sorry state of existence.

St. Hubbins and Smalls reconsider "Saucy Jack," their long-abandoned idea for a musical play based on Jack the Ripper (in homage, a mockumentary television series, , used a version of this conceit thirteen years later.)

Tufnel returns to tell the group that "Sex Farm", one of their songs, is a big hit in Japan and their former manager would like to arrange a tour. His entreaties are initially rebuffed, but St. Hubbins relents, and invites his friend back onstage.

The film ends with Spinal Tap performing in Japan, and with new drummer Joe 'Mama' Besser after Mick Shrimpton's sudden death from spontaneous human combustion.

was a modest success upon its initial release, suffering from, among other things, the failure of many viewers to understand that it was not a real documentary. Audience feedback cards from early screenings had comments such as "Too shaky. Get new cameraman." However, the film found greater success, and a cult following, after it was released on video. Many musicians can recite entire scenes from memory, and it is common to hear lines from the movie sprinkled throughout any gathering of two or more rock musicians.

Film critic Roger Ebert selected magazine voted it the 11th greatest comedy film of all time.

In 2002 the United States Library of Congress deemed the original film "culturally significant" and selected it for preservation in the National Film Registry.

The idiom "Up to eleven," inspired by a scene from the film, has entered the pop cultural lexicon and has even received an entry in the Shorter Oxford English Dictionary with the definition "up to maximum volume."[2]

has been released twice on DVD.

The first release was a 1998 Criterion edition which used supplemental material from the 1994 Criterion laserdisc release. It included an audio commentary track with Christopher Guest, Michael McKean and Harry Shearer; a second audio commentary track with Rob Reiner, Karen Murphy, Robert Leighton, and Kent Beyda; 79 minutes of deleted scenes; a documentary . Sales of this edition were discontinued after only two years and the DVD has become a valuable collector's item.

In 2000 a "Special Edition" was released with new supplemental material. It has a new audio commentary track with Guest, McKean, and Shearer performing in character throughout, commenting on the film entirely in their fictional alter-egos, and often disapproving of how the film presents them; 70 minutes of deleted scenes (some of which were not on the Criterion DVD); a new short, (Channel 4, 1983). The plot varies - for example, Bad News has a permanent drummer named Spider (played by Peter Richardson), and some of the band still live with their mothers - but is similar in being a mock documentary about a metal band that isn't very good on a doomed tour.

Bad News had a later sequel, , in 1988. Bad News were Adrian Edmondson, Nigel Planer, Peter Richardson, and Rik Mayall, all original members of the British comedy troupe The Comic Strip. Bad News also guested on some TV music shows and released an album, although the project was overshadowed by Spinal Tap.

In a similar but much much later vein, the British film (1998) starring Jimmy Nail, Timothy Spall, Billy Connolly and Bill Nighy depicts the chaotic comeback tour of a 1970s glam-rock band. The film was written by Dick Clement and Ian La Frenais.

Other notable spoof rock bands (that bear no relation at all to Tap) include: The Rutles (a Beatles parody band created by Eric Idle and Neil Innes, who predate Spinal Tap); Raw Sex, a lounge duo from the show who play on top of elevators; Beatallica, a band that play "Beatles songs in the key of Metallica"; and The Hee Bee Gee Bees, who parodied the Bee Gees, and were largely the brainchild of Philip Pope, who also wrote satirical songs for the BBC's is a cult movie, especially within Western Canada, that centres around two head-bangers who share a love of hard rock and beer.

is a 1994 Rusty Cundieff picture that, although it parodies the excesses of rap of the 90s instead of rock of the ’70s and ’80s, clearly (and explicitly, according to the creator) owes much to Spinal Tap.

Canadian director Bruce McDonald also made a great punk-oriented movie called Hard Core Logo, a funny and poignant movie that cameoed the Ramones on a punk band's journey through western Canada.

In 1982, celebrity photographer Lynn Goldsmith and British character actor Gerrit Graham cut an album parodying the aerobic workout albums that were flooding the market at the time, suggesting what would occur if a psychiatrist cut an album of a similar nature. The album was entitled and the artist credit went to Will Powers, the fictitious psychiatrist supposedly "narrating" the record. Will was portrayed by Goldsmith during the speaking sections and by Graham during the sung sections.

is a Norwegian movie from 2000 that parodies boy bands of the '90s. It was written and directed by Espen Eckbo and Henrik Elvestad. Henrik starred as Boyzvoice's manager while Espen played six roles in the film, including Boyzvoice lead singer M'Pete.

In 2005, a viral ad campaign for Ford featured the real satirical band Hurra Torpedo in clips purporting to be from a documentary of their first US tour.

, an online series of movies about an extremely unsuccesful band.

Comedic singer-songwriter Stephen Lynch, a veteran of New York comedy clubs and an upcoming star on Broadway, has stated numerous times that this film was his greatest inspiration to write comedy in the form of original music. Since the start of his career (c. 1996), Lynch has acquired a cult following of his own.

Other work by the same actors

Many of the people involved in this film also went on to star in future "mockumentaries" together. Although Rob Reiner was not directly involved on those films, they were produced under his Castle Rock Entertainment company, to which he always received "Special Thanks" in the credits of each film.

McKean, Guest, and Shearer also performed as the traditional, Kingston Trio-esque folk band The Folksmen in the film . The actors of the Folksmen also play similar parts to the ones they played in Spinal Tap. Michael McKean is the main singer, Christopher Guest plays banjo (à la guitar) and Harry Shearer plays the bass.